New York Magazine: Rachel Corrie play a bit flat

Here is the last paragraph of the review:

Corrie’s diaries are more valuable in describing a budding idealist’s growth than in bearing witness to the world’s knottiest conflict. Even here, though, unlovely notes intrude. More than once, Corrie takes an oddly detached view of Palestinian violence, doubting that it could have “any impact” on the Israelis—a surprisingly clinical tone for such a sensitive advocate of social justice, as if it’s the body count incurred in a bus bombing that matters. I didn’t pick the example at random. While Corrie was in Gaza, a suicide bomber destroyed a bus in Haifa, killing fifteen people—mainly children—including an American girl even younger than Corrie, one involved in a program to reconcile Arab and Jewish students. There’s something poignant in the ways these two sad stories parallel each other and diverge. I can even imagine a drama using their deaths to tell us something new about the conflict, or help us better understand its whole horrible complexity. This play doesn’t.

(Hat Tip: Martin Kramer)

Tags: Drama, Rachel Corrie, pancakes, waffles, Israel, Palestinians